Alice Fox | 21 - 23 April
Alice Fox | 21 - 23 April
The detail that surrounds us can be fascinating, if we allow ourselves to slow down and take it in. This workshop aims to open our eyes to what is around us, finding the potential in the ordinary and harnessing those possibilities to record our experience. With a focus on objects and marks collected on short walks from the studio we will explore various different techniques, making use of what we find: agricultural debris, local plants, the earth under our feet…
Explore a range of different methods to record experience of landscape, engaging with the detail of what you find around you. Discover the wonderful surroundings by undertaking a series of short walks from the studio (whatever the weather!), each with a different focus on recording and collecting. You will build up a collection of found objects alongside a series of marks and recorded observations, primarily on paper, but also on cloth if you wish. Through a range of techniques including rust printing, mono-printing, relief and contact printing you will explore different ways to respond to your ‘collections’ and use them as a basis for simple handmade books, forming a personal record of your experience.
"My practice is based on personal engagement with landscape and the work that I produce celebrates and carries an essence of what I experience in the natural world.
My work is based on personal experiences of the natural world. My starting point is walking, recording my experience through words, sketches, photographs, collected items and gathered materials. Wherever I am I take a beach-comber’s approach, found objects providing a tangible link to the places I’ve walked.
I work with natural fibres and gathered materials, employing natural dye techniques, print, stitch and weave in different combinations to create surfaces and structures. Found items, their identity often a mystery because of the action of the elements, form the focus of my response to a landscape. I take an experimental approach to these found items: by engaging with the materials that I find, manipulating them and experimenting, I learn about their properties, boundaries and possibilities. I use found objects to make marks, allowing them to stain the fibres and stitches that I surround them with. This becomes a collaboration between object and artist.
My process-led practice has sustainability at its heart and is underpinned by my background in geography and nature conservation. I follow a line of inquiry, each result leading on to another question: what happens if I do this? In presenting my findings I aim to draw the viewer in, notice things they wouldn’t otherwise have seen or considered, change the way people view their world, even in a small way."